![]() ![]() Thus, the future of the aesthetic power of melodies could not be brighter. 2"", like part one, of course features tracks by Naoki Kenji, The Sushi Club, Jean F. The label founders Alex Azary and Pascal FEOS give an exclusive outlook to the third Aural Float by blending smooth but funky chilled Elektro breaks with vocals by Kim Sanders in a track akin to Prince productions (""Him And Her - Chris Wood Re-Edit""). The latest label act Groovecatcher is bewitched by the cathartic power of rain expressed in a deeply melancholic dub (""After The Rain""). Read about Royksopp What Else Is There by Late Night Moods vol.2 and see the artwork, lyrics and similar artists. Marko Bussian, Jean-Charles Vandermynsbrugge and the Argentina-born Sol Ruiz de Galarreta are meeting for a sensual kiss on the beach of Ibiza (Fous de la Mer ""Conmigo""). Friday Night at HoneybeesAndrea Smith, Historic Eras and Paragraphic. Twelve tracks of the more recent label history and two tracks which have not been released yet form an Ambient Pop Compilation which is already making us dream of next summer. Find many great new & used options and get the best deals for Late Night Moods, Vol. 12 The Troubles of Janice, Part 2Erich von Gotha, PoemsJohn Vance Cheney. The ultimate jazz vocal ballad collection of songs about love lost, sung by some of. As a logical consequence, this success story is continued congenially in the anniversary year 2005. Jazz Moods - Jazz At Loves End released in 1999 by Concord records. Major licensings to Columbia for the US and Canada and to Universal for France). The aim was to set a new benchmark especially on the international market (e.g. ![]() Therefore, it was only logical that Elektrolux gave an impressing proof of the consensus of Ambient and Pop by the first issue of the compilation series The Future Is My Melody"" about two years ago. "Can Chillout and Pop go together? Electronic music has gone through a remarkable change during the last years by tracks having become less anonymous and more recognizable, especially with regard to song-like structures. ![]()
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